The film stylistically is part of the New German Cinema of the 1960s and 1970s. “Every Man for Himself and God Against All”, 1974). Without questioning the veracity or falsity of these facts, the legendary German filmmaker Werner Herzog wrote and directed The Enigma of Kaspar Hauser (“Jeder für sich und Gott gegen alle” lit. Since then, multiple theories have emerged to explain Kaspar Hauser’s origins: it is said that he was the illegitimate son of Napoleon Bonaparte or a German nobleman, that he had some kind of mental disorder, or that he was simply an imposter who created this story to live at the expense of others. Hauser died in 1833, as a result of injuries apparently caused by the man who imprisoned and brought him to Nuremberg. The mysterious case drew the attention of philosophers and scientists of the time who made enormous efforts to educate and reintegrate Kaspar into society. The letter also said that he had spent his entire life locked inside a dark dungeon. He carried with him a letter from an unknown author, addressed to the chief of the local garrison, which assured that the young man was called Kaspar Hauser and born in 1812. The boy could barely speak and stand upright. On the morning of Pentecost Sunday on a strange 16-year-old young man arrived at the city of Nuremberg, Kingdom of Bavaria.
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